About Zen

Zen and Feminism: Josy, Zazen, and the MLF

12 min read

Are Zen and feminism compatible? According to the words of the greatest masters and the experience lived and transmitted by Zen nun and feminist activist Josy Thibaut, the answer is yes.

Zen and Feminism: Lived Practices

Josy (1925-2017), mother of Master Kosen Thibaut, was both an unwavering Zen practitioner and a seasoned feminist activist. For many years, she led a zazen group at her home, which was the origin of the Zen Paris dojo.

Banner GRRRR-dream of Women held during a demonstration.
Banner GRRRR-dream of Women held during a demonstration.
Banner GRRRR-dream of Women held during a demonstration. Call for a women’s strike, March 8, 2012 – Photo by Michel Viala

And why not a women’s strike? […] Ideas were flying. Josy Thibaut suggested writing it as GRRRR-dream of Women. GRRRR for anger and dream for a new world where women would no longer work for free and would not be underpaid in companies.

My MLF · Marie-Jo Bonnet

Feminism in the MLF

After experiencing the post-war era in the jazz scene of Saint-Germain-des-Prés in Paris (when you arrived at the dojo she led at her home, you were often greeted by a Louis Armstrong tune), Josy Thibaut returned to her studies at the Sorbonne in… 1967. This was just before the burst of energy in May 68, in which she fully participated.

She joined the Women’s Liberation Movement (MLF) at the beginning of 1971, a few months after the movement’s first public appearances. As a signatory of the Manifesto of the 343, she impressed her younger fellow activists with her humor, energy, and imagination.

  1. Josy Thibaut at an MLF demonstration
    Josy Thibaut at an MLF demonstration, 20 November 1971
  2. Josy Thibaut against the repression of homosexuality
    Josy Thibaut against the repression of homosexuality, 25 June 1977
  3. Les Malheurs de Sophie, zen reading
    Josy Thibaut parodying Les Malheurs de Sophie. Photo by Catherine Deudon.
  4. The Manifesto of the 343 and activist commitment
    The Manifesto of the 343, published on 5 April 1971 in Le Nouvel Observateur

Zen with Masters Deshimaru and Kosen

In 1978, when her son met Master Deshimaru, she too began practicing zazen.

After being ordained as a Zen nun by her son, who had become a master, she continued zazen relentlessly and led a small dojo at her home.

Cover of the feminist magazine Le torchon brûle No. 3, November 1972.
Cover of the feminist magazine Le torchon brûle No. 3, November 1972.
Cover of the feminist magazine Le torchon brûle No. 3, November 1972.

I met Sensei through my son Stéphane Kosen. I wasn’t in a hurry to practice. I was part of a very active feminist group, and we were fighting against the patriarchy. So, Zen patriarchs didn’t interest me.

Little by little, I saw that Stéphane was changing, and that encouraged me to come. I started practicing in the summer of 1978 during the Val-d’Isère sesshin. I’ve always had a strong spirit of provocation. To express it, I wrote skits and songs [to the tune of La mauvaise réputation by Brassens]:

What Master Dogen said,

Do they apply it on rue Pernety?

Man and woman equal to each other,

At the Paris dojo, it’s nothing!

Sensei took it very badly.

The following year, I thought: I’ll do another sesshin, let’s try the experience again. I had also prepared a song [to the tune of La Parisienne by Marie-Paule Belle] that went:

I’m not yet a nun, they’re surprised, they’re surprised,

I’m not a bodhisattva, they say it won’t do!

I don’t have a rakusu, I don’t care, I don’t care,

But I’m mushotoku, and I am to the core!

I don’t have satori, so be it, so be it!

And Sensei took it with a smile.

Interview with Josy Thibaut by Ko Ei in 2017

Josy began zazen after the age of 50, perhaps initially more to see what her son—the future Master Kosen Thibaut—had gotten into than out of personal seeking.

Deeply committed to the practice, she continues to sit zazen assiduously. She takes part in all the intensive practice periods, or sesshins, until nearly 90 years old, despite a hip replacement!

Masculine, feminine: bullshitin’

Is Josy Thibaut an exception in a Buddhist tradition that, more generally, would reject women? At least in the Mahayana tradition of Zen Buddhism—the Great Vehicle—this is not the case.

The Hinayana current, on the other hand, is more concerned with personal liberation than with the emancipation of all beings and generally denies women’s spiritual capacities.

Hokusai - manga
Hokusai - manga
Hokusai - manga

In this passage from the Vimalakīrti Sutra, Śāriputra, a disciple of the Buddha, dialogues with a goddess. The divinity of the latter should be seen only as one condition of existence among others—including that of being human or animal—whose illusory nature zazen reveals.

Śāriputra: Why do you not change your sex?

The goddess: For twelve years, I have tried in vain to grasp the essence of femininity. What is there to change? If a magician conjured a phantom woman and someone asked her why she does not change her sex, would that question make sense?

Śāriputra: No. Phantoms have no fixed form, so what would there be to change?

The goddess: All things are the same. They have no fixed form. So what sense is there in asking me: Why do you not change your sex?

The goddess gives Śāriputra her appearance and takes on Śāriputra’s.

The goddess: Why do you not change your sex?

Śāriputra: I do not know how I have taken on a feminine form.

The goddess: If you can take on a feminine form, then all women can likewise change their form. Just as you are not truly a woman, though you appear as one, all women likewise appear as women but are not truly so. This is why the Buddha says that phenomena are neither masculine nor feminine.

The goddess restores Śāriputra to his original appearance.

The goddess: Where is your feminine form now?

Śāriputra: My feminine form has neither existence nor non-existence.

Vimalakīrti Sutra – [Translated from English by the author]

Many Buddhist texts only allow women’s awakening after their reincarnation in a masculine form. But Zen attributes no inherent essence to anything. It sees everything as aggregates, results of unstable and ephemeral interactions. Thus, the most cherished sutras of this school are those that propose transcending the male/female duality, seen merely as the illusory opposition of arbitrary conditions.

The Buddha’s children should not be like this

The 13th century marks Japan’s entry into the military regime of the Kamakura shogunate. In 1223, the future great master Dogen, dissatisfied with his training in the Tendai school, travels to China to study Chan under Master Nyojo.

The Tendai school had been founded by Dengyo Daishi during Japan’s antiquity. Text-bound, tinged with Confucianism, and closely aligned with power, it was the dominant branch of Buddhism in Japan before the rise of Zen. Hostile toward women and more concerned with social prestige than spiritual emancipation, it could not address Dogen’s questions.

A sign reading Forbidden to women near the Kyaiktiyo Pagoda.
A sign reading Forbidden to women near the Kyaiktiyo Pagoda.
A sign reading Forbidden to women near the Kyaiktiyo Pagoda.

Two lay attendants will be appointed to this Tendai monastery to supervise it alternately and to keep out robbers, liquor, and women.

Dengyo Daishi · Rules for the Disciples of the School of Mount Hiei · September 818 · Cited by Mason and Caiger · A History of Japan

Dogen brought back from China zazen, the heart of Zen. Spreading the seed of Zen in Japan, he left Kyoto in 1230 to escape the growing hostility of the Tendai school. In his teaching, he stood against all discrimination toward women in the practice of zazen.

In the Shobogenzo, Dogen opposes any position of inferiority that might be assigned to women. Japanese society at the time seemed relatively permissive. Yet certain chapters of The Treasury of the True Dharma Eye, deemed too revolutionary for the taste of the Buddhist clergy, were long censored. They circulated only as secret teachings, even though Zen rejects all esotericism!

  1. Josy Thibaut after zazen
    "When zazen is over, one should not remain in the zazen state of mind." : Master Kosen
  2. Josy Thibaut dancing
    "When zazen is over, one should not remain in the zazen state of mind." : Master Kosen
  3. Josy Thibaut in gassho
    Josy in gassho : Summer camp 2012
  4. Josy Thibaut in zazen
    Josy in zazen alongside master Rei Kiku Femenias : Summer camp 2010
  5. Josy Thibaut and master Kosen Thibaut
    Josy Thibaut and master Kosen Thibaut : Summer camp 1982

Josy’s parallel commitments to Zen and feminism are therefore far from contradictory. They illustrate the universality of Zen Buddhism, even if her relationship with Master Deshimaru was at times somewhat… let’s say, rough. For in his seminal work. Dogen is crystal clear: following the Way is not the exclusive preserve of men.

Hokusai - manga
Hokusai - manga
Hokusai - manga

Those who have not even dreamed of seeing the essence of the Buddha’s Way, even if they are centenarian elders, are far inferior to anyone, man or woman, who has attained the Dharma.

Dogen · Raihai-tokuzui · 1240 · Cited in Three Zen Lessons, Gallimard · Translation by Janine Coursin

This at a time when the main branches of Buddhism cited being born a woman as one of the obstacles on the path to awakening. And while in Europe, a papal bull of 1233 laid the groundwork for the future witch hunts.

Zen, feminism, and all that jazz

Josy Thibaut was born a woman at the beginning of the 20th century. She lived through the darkest and most exhilarating periods of the “Century of Extremes”[1].

Her early love of jazz nearly got her into serious trouble. During an inspection, German soldiers of the occupying army found an album of “degenerate” music. Jazz was not yet banned, but after 1941 and the United States’ entry into the war, anything connected to American musicians was seen as subversive. Yet Josy, a swing enthusiast, found greater joy in the music of Black American players than in the French jazz of the time.

  1. Gilles Thibaut accompanying Sydney Bechet, one of the giants of jazz
    Gilles Thibaut accompanying Sydney Bechet, one of the giants of jazz
  2. Cover of the catalogue for the exhibition Entartete Musik (Degenerate Music), Düsseldorf 1938
    Cover of the catalogue for the exhibition Entartete Musik (Degenerate Music), Düsseldorf 1938
  3. Cardboard star made by a young Parisian zazou after the imposition of wearing the yellow star on Jews
    Cardboard star made by a young Parisian zazou after the imposition of wearing the yellow star on Jews

After the Liberation, she frequented the clubs of Saint-Germain-des-Prés assiduously. Jazz was still far from being used, as it is today, to lend a glamorous and consensual veneer to mass-market products. A music of rebellion, it united impoverished youth and intellectuals. From anonymous students to Boris Vian or Simone de Beauvoir, all fervently communed around a music brought by musicians fleeing the institutionalized racism of their homeland.

Robert Doisneau - Le Tabou, Paris 1947
Robert Doisneau - Le Tabou, Paris 1947
Robert Doisneau - Le Tabou, Paris 1947

For the first time in the history of French society, the older generation had nothing left to say; after 1945, we told them: With the mess you got us into in 1939-40, shut up—now it’s our turn to play; for this, jazz was a formidable means…

Cited by Ludovic Tournès · New Orleans sur Seine, page 345

In the 1950s, the French jazz audience, though a minority within the population, was spread across the country. It was distinctly young, male, educated, and—relatively—antiracist.

Josy’s husband, Gilles Thibaut, accompanied Sidney Bechet on trumpet at the Vieux Colombier club, a temple of the New Orleans style.

Personal and Collective Practices

If one had to find a coherence among Josy’s three passions—feminism, Zen, and jazz—it might lie in a practice that was both personal and collective. From militant activism in a movement without structure or hierarchy, to the rigorous practice of a meditative posture maintained without interruption for 2,500 years, to a music that emphasizes improvisation within small ensembles.

Social, Political, and Spiritual Emancipation

More deeply, Josy never compartmentalized the different aspects of her activism. Those who knew her can attest to how wholeheartedly she lived!

Like the MLF, for whom the personal is political, she may have always been guided, in her various commitments, by an indomitable will for emancipation—on all levels, without separation.

Josy Thibaut began zazen and activism in a second youth from which she never emerged. She fought for women without reducing herself to her status as a woman. She advanced the causes she championed without rejecting anyone, but by challenging an unjust system of values. Without betraying herself, without compromise, she practiced and shared the posture of zazen tirelessly, beyond any selfish consideration.

01 Kōdō Sawaki

Kodo Sawaki
Kodo Sawaki
Kodo Sawaki

What sets you apart from the Buddha? It’s what you carry within you! Men think they are men, women think they are women. That is the root of illusion! […] Look at things from the point where you have forgotten everything: wealth and poverty, and all human scales of value. If you succeed in this, a thousand saints will not equal you. Ceasefire! Forget everything! Man, forget your masculinity! Woman, forget your femininity!

Kodo Sawaki

Throughout her life, Josy worked for the social, political, and spiritual emancipation of all beings, regardless of their gender, faith, sexual orientation, or skin color. Beyond their contingent determinations.

This is how the children of the Buddha should be.

Olivier C

Proofreading and advice: Anne, Angela, and Isabelle

Sources

Hokusai - manga

Hokusai - manga

Feminism
Japan
Buddhism
Jazz
History
  • The expression “Century of Extremes” refers to the title and periodization proposed by Eric Hobsbawm for the twentieth century: Eric Hobsbawm, Age of Extremes: The Short Twentieth Century, 1914–1991. ↩

Following Josy Thibaut's feminist commitment, we chose the Inclusive Sans typeface for this site, created in 2022 by designer Olivia King to combine accessibility and aesthetics.